Pandemonium Press, in California, publishes three oddly-named online magazines. One of them, riverbabble, took my “Sirens” two years ago. Another, Doorknobs & Body Paint, last winter invited short-short (450-word) stories featuring descriptions of hard work. We’d just had a good Connecticut snowstorm; I’d gone out to be sure the men hard at work clearing our courtyard shovelled up to my patio door to accommodate my dog. I whipped out a little vignette, called it “A Path for Peanut”, and sent it out. Hardly great literature, but fun; an exercise in painting word pictures.
They didn’t take it.
In October Doorknobs had a new invitation: Short-shorts set in Bern, with a sub-theme of transcend, and somewhere using the the phrase considered as. It took maybe an hour to give my courtyard a view of the Swiss Alps, meet the other criteria, and re-name the piece “Une Piste pour Le Petit.”
Bingo! You can read it online — and find some other quirky pieces — at the Doorknobs website ==>>here
“We are here,” wrote the editor, “to explore the human condition . . . . submit anything that explores your life views, existence, mortality, spirituality, conflict, and more.”
So the oddly-named online magazine Cleaning Up Glitter planned a different kind of October/Halloween issue. I had written, years ago, a slightly fictionalized account of a memorial service I’d attended, that I’d titled “Seeing Charlie Off.” She liked it; you can read it ==>>here
We’re all surely aware of how much privacy we yield whenever we go online. Suppose, I wondered one day, that our smartphones actually gave reports to Big Brother periodically; what might that conversation sound like?
I called the resulting short-short story Surveillance. Burningword Literary Magazine’s editor liked it; you can read it ==>>here
Zimbell House, which has taken several of my earlier works, invited short stories on a theme of “secrets in the water.” Initially, as I thought of all the rivers and oceans I’ve known, nothing came to mind.
But then I remembered fishing for shad at what used to be the Enfield Dam on the Connecticut River (which has since collapsed). There’s a secret to getting shad to take a hook, since they don’t eat anything on their way upriver. Secrets to tying flies. Maybe other secrets would develop. I started writing, but it took weeks for a story arc to take shape.
Although I suspect the editors were expecting stories of pirates, mermaids and selkies (Scottish mythological seals that take human form), they liked my more prosaic secret enough to include it among 31 in an anthology Secrets in the Water,” available today at Amazon and other booksellers. You can also read it ==>here
I’m not a fan a super-short fiction, but every now and then I’m drawn to the challenge. An online litmag, 50-Word Stories, wants EXACTLY 50 words. I did something called Earthworm Ruminations that they liked two years ago; this time around I concocted an ending to a real-life Noel family mystery that remains in fact unsolved: What happened to Brad’s family-history engagement ring? Read the fictional answer ==>>here
It’s fun sometimes to look back at how an idea germinates and — often too slowly — blossoms into a story. The seed of “Méchant” was an overactive little boy playing with a toy car while his overworked mother waited (with me and others) to see an orthopedic doctor at UConn Health Center. I imagined another patient volunteering to help with the little boy, and drafted a pretty good description of the setting. I tried calling it “Naughty Boy” and then “Novice Nana,” but it stubbornly refused to grow into a story with a narrative arc. I set it aside, but came back to it with the notion of developing the novice nana into a frustrated woman who wished she had children of her own. From the start I’d given her enough French fluency to think of the little boy as méchant. I dimly remembered — had to look up — a more nuanced alternate meaning, not just naughty but wicked. The theme for the next edition of Nightingale & Sparrow was renaissance, and I now had the novice nana entertaining wicked thoughts of her own rebirth. Perfect fit. Out now, available at Amazon with a bunch of other good short stories, or here at my blog
I have to confess that I almost wrote “Windfall” as a first-person non-fiction piece, a kind of chapter that might have been added to my Jamaican memoir.
But precisely because the incident and its aftermath are real, and all but one of the characters are still living, I decided to make it into a short story, and add a closing twist entirely different from my own experience.
I think it’s still a gripping story. The editor of the Lowestoft Chronicle had earlier printed “Monseigneur,” my account of my first nights in Phnom Penh. He liked this one, too, and it’s now available online at ==>http://lowestoftchronicle.com/issues/issue37/donnoel/
I’ve tried for several years to write about Alzheimer’s disease, without success. Too painful, I suppose. A writer is supposed to work his life experience into his work, but I haven’t until a few months ago been able to do so.
Then Zimbell House, a publisher of short story anthologies that’s taken several of my earlier works, invited stories that developed a strong sense of community in a town that should be named November Falls. Place it anywhere, in any time, but make the community one that readers could readily identify and empathize with.
As I toyed with the idea, I decided my fictional town ought to be upstream from some very real towns on the little rivers that flow out of the Adirondacks and become the Hudson — but a town time had passed by, a frail shadow of its former self. It wasn’t then a big step to make the protagonist a man visiting his mother, resident of a cruelly named “memory care unit,” whose life story matched the town’s.
It worked; Zimbell editors liked it. It’s out now in bookstores and online, a compilation of nine authors’ imaginings of a town called — like the book — November Falls. You can read all nine in paperback or as an e-book, or read my version ==>> here
“Great story!” Bill Patrick, a published author and scriptwriter, sought me out to to admire a short story I’d written for a seminar he would teach in my Fairfield MFA program. We each wrote and circulated, before gathering, a piece to be critiqued in such seminars; it was unusual for a professor to comment before classes met and students had first crack, but he thought it an unusual story.
With help from him and my classmates (who also liked it), I improved it during that fortnight. We each did a reading to the student body and faculty. I read “Exoneration”, to applause.
I began sending it out — and sending, and sending, with growing discouragement. How could editors turn down a story everyone in the MFA program liked?
Three years later (!!) it was accepted by Aestas, an annual anthology. Then, to cap off my frustration, publication was delayed and delayed again!
It’s finally out, a year late, “Aestas 2017”. The whole book, a good collection of short stories, is currently bargain priced at Amazon — or you can read it ==>>here
In 1981 — 37 years ago! — Brad and I hiked (with a safari group of 4-H kids half our age) about an hour above the 10,000-foot ranger station on 18,000-foot Mount Kenya — and were told of an American who’d gotten lost recently, in a stunted landscape prowled by buffalo, elephants, monkeys . . . and leopards.
I skipped the next morning’s lion-chasing trip to sit in front of our pup tent and bat out a first draft of a short story based on that fragmentary account. I remember looking up to realize I was the object of fascination by a half-dozen Masai women who’d never seen anything like the flyweight typewriter I always traveled with.
Fast-forward 32 years, when I made re-writing that story a significant part of my Fairfield University studies, and ultimately part of my MFA thesis. One of my most prized gurus urged that I develop the character of the would-be rescuer, which I did. Also, I’d originally told part of the story from the leopard’s point of view. He said no, can’t do that (even though, as I noted, Ernest Hemingway used an African lion’s point of view in “The Short Happy Life of Francis McComber”). Out came the leopard.
I’d made a few pre-MFA efforts to polish and place the story. Now I went at it with new energy — but with no better result. Last year, a hint from an almost-took-it editor persuaded me to make the leopard visible again, although I accepted the wisdom of my MFA classmates in our postgraduate writing group to make it an insentient animal — describing its actions, but not (as Hemingway had) imagining its thoughts.
It took several more rounds of rejections before D.S. Davidson, editor of the online Tigershark Literary Magazine, invited stories placed in the Southern Hemisphere. My story was a bit longer than he wanted, but he had me send it, and liked it. It’s out this week, the centerpiece of his Issue 18 (on pages 9-19). Read it ==>here