I’m not entirely sure where the idea for “Bonding” came from; it’s a dark story, not my usual. I began it during the early stages of Brad’s illness, set it aside, and went back to it after her death, which I suppose explains at least part of the origin. Anyway, the Elizabeth River Press in Virginia liked it, and it’s in their 2020 annual anthology, available as a paperback at booksellers including Amazon. But unlike most literary magazines and collections these days, there is no online edition, so you’ll have to read it ==>>here
Mariticide is the murder of a husband, and is the context of my short story “Rescue.” The title refers to the wife’s efforts to save her dog that was unavoidably at the scene. A friend who read an early draft thought my ending cruel. But undeterred, I polished it up and sent it off to the Bethlehem (PA) Writers Group. They liked it, and you can read it at their website ==>here (or of course right here on my blog).
I spent one summer of my college years making radiator hose at the B.F. Goodrich factory in Akron, Ohio. I came close to spending that summer unemployed, but I was blessed with a mother who stiffened my spine when I was nearly crushed by my own stupidity.
It’s a story of learning to speak up for myself, and — not just incidentally — learning union rules. For the second year in a row, the American Writers Review annual book includes my writing. I call this one Work Rules. You can read it ===>here
I’m having a bit of a run, having stories published that draw on my adolescent years on Deep Springs’ Swinging T cattle ranch. Street People, set near the ancient bristlecone pines on our summer range, was out June 1. Now Spiders, based on my real-life experience watching a duel between a scorpion and a black widow, is out in True Chili, which bills itself as a a home for cowboy literature. And a third, based on my cowpunching model and guru, has been accepted for October publication. I should mine that memory bank some more!
You can read my Spiders and other cowboy stories at the True Chili website, here===>
. . . or right here on my blog ===>
Letting adoptees discover their birth parents was an issue back when I was covering the General Assembly. Few if any who testified against the change, as I recall, identified themselves as parents who had given up newborns. The lack of public confessions was easily understood.
When the issue surfaced at the Capitol again not long ago, memories popped up. It didn’t take much, in my new retirement community, to imagine an elderly woman — make her the widow of a clergyman — haunted by fear that her teen-age unwed pregnancy would be revealed, and she humiliated, if the infant she gave up at birth showed up shouting “Mama!”
Getting the story together took a bit of work, but when I had it right I began sending it out. A literary magazine called (how do they find these names?) Caustic Frolic liked it, and it’s now published. To read it online, click===>here
I began “Street People” eight years ago, not too long after a family vacation that included revisiting the Ancient Bristlecone Forest in the Inyo-White Mountains, just east of the High Sierra, where I’d herded cattle one summer in ancient history. I can’t remember now what prompted me to build the story around a homeless couple out to see America, but it flowed fairly well. Unsure of it, though, I set it aside.t
Last May, I ran across it and decided was worth tweaking a very little bit and sending out. Camas, the literary magazine of the University of Montana, liked it. You can read it here==>
A small Montana literary magazine, which had published two of my short stories, put out a call for submissions to its next issue on the theme “the great outdoors.”
I was reminded of a outdoor adventure I shared with Brad more than 60 years ago — an elephant ride through a forest on India’s Deccan plateau, and a l00k at working elephants. They liked “When Elephants Harvested Teak,” and you can read in now on page 45 of the magazine, by going ==>>here
(or read it here at my blog, listed under n0n-fiction)
Zimbell Press, which periodically publishes themed anthologies (and has published several of my stories) put out an unusual challenge last fall: Invited stories about a game that ended in death, preferably horrible death. Moreover, they insisted on stories that began with the death scene, and then backed up to posit the setting and the game, leading up to an already-known climax — while somehow maintaining some suspense.
An intriguing challenge. I mulled it for several weeks, and woke up one morning imagining a competition to swim the English Channel. (Don’t ask where that came from; I’ve only crossed The Channel once, on a solid ferry boat.) Zimbell’s editors liked my Crossing well enough to make it the second story in the collection, which is out now: Dead Game. You can get the book (paper or e-book) at booksellers like Amazon and others — or read my story here==>>
I was introduced several years ago to the idea of a short story entirely in dialogue — not even a “he said”/”she said” — so that the reader must infer the setting, and the story, from what people say to one another. I’ve written and had published several in that unusual format.
The newest, “Keepsakes”, is one of my favorites: A daughter is helping her mother prepare — unwillingly — for a move to a place like where I now live. As Jessamine packs things from the closet and dresser drawers, she learns things about her parents that she never knew.
Periwinkle Literary Magazine liked it too; it’s in their inaugural issue ==>> here
If you looked out my desk window at my Seabury home, you’d recognize the setting for Rabbits and Coyotes. If you went out in the morning to pooper-scoop behind your poodle, the rabbit droppings in the grass would tell you what he’d been barking at last night. If you went out to look, on at least some nights, you might hear the yelps of some remote progeny of the critters that you used to hear sing in the California desert. And when your daughter came to visit, she might warn you that those wild animals have been known to go after domestic pets.
And you’d have the makings of a story that appealed to the editors of Metafore, a literary magazine created by students at the little-known Maharishi University in Fairfield, Iowa.